Like Astro Boy, it's based on a Tezuka property. I picked this one up a few years ago at the flea market not knowing what it was and I was pleasantly surprised as it's a quality puzzle-ish platformer. I loved the look but the game itself is kind of dull, one of Konami's weakest licensed games. It scrolls pretty smoothly.Ī side-scroller based on the Astro Boy anime. This was a rail shooter and one of the few games to support Nintendo's 3d glasses. Konami did license the game from Atari Games but unlike the domestic NES Rampart from Jaleco this isn't really a port of the arcade game it's more of an original work. Castlevania's definitely better but I like this too. This was sort of like Indiana Jones meets Castlevania. Some might find it too simplistic today as the gameplay is completely based on timing and positioning unlike much more complex modern fighters but I still enjoy it. It was an excellent fighting game and it was easily the best of its genre on console at the time. This is based on the MSX version rather than the arcade one. This thread is about those Konami NES games that never made to North America or Europe. While many of their best games made it to the West the company still had a lot of Famicom/Famicom Disk games left in Japan. How they managed to make so much quantity, variety and quality is beyond me. Two key reference points designed to help tourists discover all that the city has to offer are InfoMilano and the Urban Center.I would say Konami was the best third-party console game developer of the 8-bit era. Nearby Attractions and Info Pointsĭepending on the time of the day, in the Galleria you will either encounter hordes of tourists, hurried office workers, foreigners from all parts of the globe or the Milanese either on their way to the theatre or to one of the area’s numerous museums or nearby attractions, including: the Duomo, Teatro alla Scala, Gallerie d’Italia, Palazzo Reale, Grande Museo del Duomo and the Museo del ‘900. In anticipation of Expo 2015, it is currently undergoing intense restoration works, in a bid to return it to its former glory.ĬURIOSITY: the arching glass and cast iron roof, together with its iron structure, were originally manufactured in France. So much more than a shopping arcade, it exudes an air of luxury and is lined with boutiques, a seven-star hotel, landmark restaurants and cafés, including Savini, Camparino and Biffi. Following its inauguration, dozens of elegant shops opened under its vaults. An integral part of the pulsating heart of the city for almost 150 years, it is a monument, a covered arcade and home to exclusive shops and restaurants. One of the oldest trade centres in the world, from the time that it was built the Galleria became a city favourite for evening strolls, a place of demonstrations and a meeting point for the Milanese bourgeoisie, artists, academics and musicians, including Giuseppe Verdi and the Futurists. Its centre – the socalled “ Ottagono” – is surmounted by imposing mosaics representing different parts of the world (Africa, America, Asia and Europe) to celebrate the centrality of the city in the world’s global economic and cultural system. The architectural work of this stunning arcade, which serves as a passageway between piazza del Duomo and piazza della Scala, boasts a blaze of marble, stuccoes and mosaics and is dominated by an amazing iron and glass dome standing fifty metres high. To celebrate the Unification of Italy, between 18, based on a project by architect Giuseppe Mengoni, Milan built the Galleria Vittorio Emanuele II, named after the first king of Italy. Situated in the centre of Milan, the Galleria Vittorio Emanuele II is an extraordinary feat of architecture, an emblem of Milanese identity featuring a meld of beauty, art and luxury under an amazing glass roof.
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